![]() Templates are great if you don't know how to build from scratch, but there's a good chance somebody else has used the same thing. People tend to take those tutorials and recreate them to a tee instead of customizing them to make them unique. The same goes for AfterEffects tutorials from Creative Cow or stock AE templates from sites like Pond5. When you create your own titles from scratch, you avoid that. There are plenty of other transitions out there that are pretty standard across most NLEs, and some that are proprietary, but the cut and dissolve will serve you well.Īs for titles, are you talking about their templates? Because yes, templates are usually pretty recognizable based on NLE. Seriously, those two transitions are your best friends. If you're making narratives, 9 out of 10 times you need a cut or a dissolve. That opens up a larger world of audio editing and mixing. If you invest a little more to upgrade to the PowerDirector suite, it comes with Audio Director. That's why most editors send their edited projects to professional sound designers, who have the tools and the knowledge to make the sound really rock alongside the picture. They're built for video editing, not sound. Most NLEs have pretty lackluster audio mixing capabilities. It's really just a clumsy piece of software that acts nothing like its professional sibling.Īctually, it does have a chroma key function. It's got a very constrictive, very frustrating interface. I'd also steer away from Adobe Premiere Elements. ![]() Since the OP mentioned looking for something <$150 AUS (about* USD), Adobe Premiere Pro is out of the question ($250US/year for subscription). They obviously have some limitations as compared to their paid versions, but still very capable programs with a little more collaborative capacity. You might also look at the free versions of LightWorks and Davince Resolve. There's no direct way to roundtrip projects or portions of projects with Motion or After Effects, and there's no proper way to send a project into ProTools for audio post. The restriction of any of these low-cost NLEs is that they are completely self-contained. Plus, if you have any hope of collaborating with other creative individuals, you're going to want an NLE that allows for wider compatibility. Is this a hobby-level deal, or are you trying to compete with the professional shops? It's possible to do a bit in something like PowerDirector, but once you're vying for business against larger production houses you'll need to be working in software that competes as well. To Cody: your signature says you're the president of Mitchell Film Productions. ![]() That's a shame, too, because Pinnacle Studio for iPad is impressive. They hit a sweet spot a few versions ago and I used to use it for teaching hobbyists, but as of Pinnacle Studio 16 it is chock full of issues that make it useless. Pinnacle Studio is another one that should be avoided. It's really just a clumsy piece of software that acts nothing like its professional sibling. Since the OP mentioned looking for something <$150 AUS (about $115 USD), Adobe Premiere Pro is out of the question ($250US/year for subscription). ![]() For hobbyists and amateurs on a budget, this can be a good option. Care to qualify that statement? Sure, you won't find it in high-end professional edit suites, but keep in mind that there are viable, low-cost alternatives out there now that perform very well considering the price point.
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